Tag Archives | film studies

A Syrian Love Story: narration of a subject or subjects of narration?

The critically acclaimed documentary, A Syrian Love Story, by Sean McAllister, follows a couple of ‘refugees’ from Syria, and their children, through their journey to France. The film-maker’s choice of a personal standpoint to show their story provides multidimensional insights into their lives and the emotional and intellectual toll of displacement. But while this inspired film challenges stereotypes usually endured by refugees, Camille Jacob, PhD student and member of the Francophone Africa cluster, wonders about the narrative it offers.   Sean McAllister’s documentary of the relationship between a Syrian and a Palestinian activist through the Arab Springs, revolution, civil war and displacement is timely and pertinent. However, its main strength lies in moving away from the one-dimensional show of the atrocities of the civil war and focusing purely on the family. Amer and Raghda met and fell in love in prison; after their release they married and had children. Raghda wrote a book about their story, which landed her back into prison. As filming starts, Amer is anxiously trying to bring her home, and hopes that accepting to be filmed will hasten the process. We intermittently follow the trials of the family for five years as they move fifteen times, […]

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